MOSES’ TABERNACLE – A PATTERN FOR INTIMACY: PART 6

ENTER THE HOLY PLACE

There are three portals in the Tabernacle of Moses. The first is the Gate – the only entrance into the enclosure. We have already discussed how beautifully the Gate portrays Jesus Himself. He is the only way in – the only way to the Father.

You have presented your body as a living sacrifice at the Brazen Altar. You have washed your hands and feet at the Brazen Laver, ridding yourself of the impurities and influences of the world. Now you stand before another portal – the door that separates the open-air Outer Court from the covered Tent of Meeting.

Note that only priests could enter through the Door of the Tabernacle and into the Holy Place – the first section of the Tent. The same is true today. It is a place reserved for those who have committed their lives to drawing ever closer to God by meeting with Him regularly and often, and by living a life of prayer, worship and service to Him and to others.

THE ENTRANCE

“You shall make a screen for the door of the tabernacle, woven of blue, purple, and scarlet thread, and fine woven linen, made by a weaver. And you shall make for the screen five pillars of acacia wood, and overlay them with gold; their hooks shall be of gold, and you shall cast five sockets of bronze for them.” Exodus 26:36,37

This door, like the Gate, is another encounter with the Lord Jesus Himself. Whereas in the first encounter at the Gate, you experienced Him as Saviour, now you are about to interact with Him in a more intimate manner.

This new transition is seen even in the materials used in the pillars that hold up the screen of the Door. Notice that they are made of acacia and overlaid with gold, and that they sit in bronze sockets. You have seen acacia before in the Bronze Altar. It is that durable wood that reminds us of Jesus’ indestructible body which was scourged, pierced and flogged for you and me. You have also seen the bronze fence posts, Bronze Altar and Bronze Laver. Bronze represents judgment.

For the first time, however, you see a new metal – gold. Gold represents divinity. Not only is Jesus represented in the blue, scarlet and purple screen, but in the supporting pillars we also see Him – perfectly human (acacia) yet perfectly Divine (gold), and taking upon Himself the judgment (bronze) that was due us all. Once more you are reminded that in order to get close to the Father, you must come through the Son.

From this point on all the furniture you will encounter will be made of gold. No bronze is allowed in the Holy Place or beyond. You see, there is no such thing as pure bronze. Bronze is an alloy – a mixture of copper, tin and other trace metals. As it is in the natural, so it is in the spiritual. There can be no mixture in you as you enter the inner enclosure of your spiritual Holy Place. Do you see why it was important to wash first at the Brazen Laver?

As you look around you notice that the Holy Place is encased by several coverings. Let us examine them.

LINEN

The innermost coverings are linen curtains interwoven with cherubim. Linen represents rest. You may remember that the first time cherubim were mentioned in Scripture was in Genesis 3:23, 24.

“…therefore the LORD God sent him out of the garden of Eden to till the ground from which he was taken. So He drove out the man; and He placed cherubim at the east of the garden of Eden, and a flaming sword which turned every way, to guard the way to the tree of life.”

Cherubim are guardians. They kept Adam and Eve from returning to the idyllic Garden of Eden where they had enjoyed sweet intimate fellowship with the Lord. I believe that these cherubim, being on the inside of the Holy Place where you are, symbolize how God wants you to guard the treasures that you receive in your spirit during your communion with Him; treasures that enable you to come into a deeper state of rest in Him.

GOATS’ HAIR

“You shall also make curtains of goats’ hair, to be a tent over the tabernacle.” Exodus 26:7

In Moses’ day the goat was a sacrificial animal, used on the Day of Atonement. The High Priest would lay his hands on the goat’s head, after which it was led away out of the camp and into the wilderness. This scapegoat signified God’s taking away the sins of the Israelites. What a wonderful symbol of Jesus who is our Sacrificial Scapegoat!

RAM’S SKINS

“You shall also make a covering of ram skins dyed red for the tent, and a covering of badger skins above that.” Exodus 26:14

The ram reminds us of a substitute sacrifice. After Abraham willingly took Isaac up to the mountain to sacrifice him as God ordered, the Lord provided Himself a ram caught in the thicket.

The red ram skins are a reminder that Jesus’ Blood was the Perfect Substitute given in sacrifice for our sin.

BADGER SKINS

Badger skins are tough and coarse, shielding the precious items in the Tabernacle from the onslaught of rain, wind and sand. Jesus is our Covering, shielding us from the onslaught of the enemy.

These badger skins were also unattractive. Again we see a picture of our Saviour whom Isaiah describes this way…
“He has no form or comeliness; and when we see Him there is no beauty that we should desire Him.” Isaiah 53:2

Jesus commands you to come often to this secret place, The Holy Place, in Him – away from the noise and clatter of daily routine. It is here in this glorious seclusion that He meets with you and imparts His precious treasures into you.

Don’t rush. Stay a while, and walk with me to the first piece of furniture in the Holy Place – the Golden Lampstand.

….to be continued.

2 thoughts on “MOSES’ TABERNACLE – A PATTERN FOR INTIMACY: PART 6

  1. I love this! What a great, concise, manageable and understable explanation of The Holy Place. I'm excited about our loving Lord. What a plan God the Father has graciously invited us to be a part of.

    Thanks, Audrey. You are doing a terrifc job with this.

    LM

    Like

  2. Audrey,
    You teach with color and clarity on the ways of God and how He uses the finest materials to demonstrate His love for us.

    Thank you God for wisdom.

    Like

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